Bursting with color and dramatic focal points, these exceptional interiors offer exclusive access into the homes of Paris finest art and antiques aficionados. The magic of Paris is distinctly captured in its interiors windows are tall, and rooms have high ceilings with grand architectural details; but the real charm comes in the thoughtfully selected elements that bring those spaces to life. Paris is rife with antique collectors, art historians, architects, and interior designers who dedicate their lives to the contemplation of each element that goes into the ideal interior.
Barbara and Rene Stoeltie invite us inside the private oases of twenty of the citys celebrated interiors gurus, capturing in vivid photographs these havens of perfection, brimming with inspiration for the home. While each interior is distinctly unique, they all draw from a rich historical tradition of decorative arts combined with an instinctive desire to reinvent itself, mixing the best elements from different epochs with contemporary art, bold colors, or surprising pattern combinations. A foreword from Jacques Garcia, with his gracious nod to the great Madeleine Castaing, opens this handsome volume.
LaChapelles images of the most famous faces on the planet, and marginalized figures like transsexual Amanda Lepore or the cast of his critically acclaimed social documentary Rize call into question our relationship with gender, glamour, and status. Using his trademark baroque excess, LaChapelle inverts the consumption he appears to celebrate, pointing instead to apocalyptic consequences for humanity itself. While referencing and acknowledging diverse sources such as the Renaissance, art history, cinema, The Bible, pornography, and the new globalized pop culture, LaChapelle has fashioned a deeply personal and epoch defining visual language that holds up a mirror to our times.
Barbara Stoeltie is a journalist specializing in fashion and beauty, who has written for Vogue and many other magazines. She is the author of Chanel Collections and Creations.
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